Year |
“Artist” |
Single |
1979 |
Blondie |
“Heart of Glass” |
|
Rick James |
“High on Your Love Suite/One Mo
Hit (of Your Love)” |
|
Squeeze |
“Up the Junction” |
|
Buzzcocks |
Spiral Scratch |
1980 |
The Jam |
“Going Underground”/”Dreams of
Children” |
|
XTC |
“Generals and Majors” |
1981 |
The Human League |
“Love Action (I Believe in Love)” |
|
The Police |
“Invisible Sun” |
1982 |
The Associates |
“Party Fears Two |
|
Scritti Politti |
“Faithless” |
|
Elvis Costello & The
Attractions |
“Man Out of Time” |
|
ABC |
“All of My Heart” |
1983 |
Prince |
“1999” |
|
Fun Boy Three |
“Our Lips Are Sealed” |
|
Madness |
“Wings of a Dove” |
|
The Cure |
“The Lovecats” |
1984 |
Cocteau Twins |
“Pearly-Dewdrops’ Drops” |
1985 |
Propaganda |
“Duel” |
|
Prefab Sprout |
“Faron Young” |
|
Kate Bush |
“Running Up That Hill” |
|
Dire Straits |
“Brothers in Arms” |
1986 |
The Jesus & Mary Chain |
Some Candy Talking |
1987 |
Duran Duran |
“Skin Trade” |
|
U2 |
“With or Without You” |
|
The Housemartins |
“Me and the Farmer” |
|
Pet Shop Boys |
“Rent” |
1988 |
S’Express |
“Theme from S’Express” |
|
Deacon Blue |
“Real Gone Kid” |
|
Pet Shop Boys |
“Left to My Own Devices” |
1989 |
Nick Heyward |
“Tell Me Why” |
- “High on Your Love Suite/One Mo Hit (of Your Love)” and “Tell Me Why” are the only singles listed that failed to reach the Top 100. At least two hundred other records were more popular than either of these magnificent songs which beggars belief. But if the masses didn’t have time for Rick James and Nick Heyward, at there’s a small number of people out there who are aware of how special they are. Hopefully that’s more than just cold comfort.
- To the surprise of precisely no one who knows me even a little, the Pet Shop Boys appear twice and are the only act with more than a single entry. It’s probable that they will back for a third time before long. The inevitable Pet Shops backlash won’t be here for a while.
- The Police, Dire Straits and U2 are perhaps the most surprising inclusions. They aren’t my favourite groups in the world though it’s worth mentioning that I don’t have anything against any of them either. The Police have never impressed me much so it was a pleasant surprise to discover how brilliant “Invisible Sun’ is. Too bad it doesn’t get more love. The other two are fine albeit in a having-the-greatest-hits-is-enough kind of way. All three benefit from having the right songs chosen: “Walking on the Moon”, “Walk of Life” and “Pride (in the Name of Love)” wouldn’t have done so well.
- 1984 and 1986 have just one single apiece. The class of ’84 was a particular slog to get through with even decent bands coming up short (Robert “Bobby Bluebell” Hudgens wanted to go for Aztec Camera’s overrated cover of “Jump” in favour of its superior A-side “All I Need Is Everything”, which might have been a 10) while ’86 wasn’t quite as poor as I had been expecting but suffered compared to the years on either side of it. But, yeah, Cocteau Twins and The Jesus & Mary Chain are the standouts from a pair of grim years, which is a reminder of just how wonderful indie music was while pop and rock were rapidly descending into an abyss of wretchedness during this time (even if ’85 was quite good).
- Deacon Blue’s “Real Gone Kid” is one people will take issue with. As I said in its write up, I have long ago accepted that very few will see eye-to-eye with me on the Scots sextet and their breakthrough hit. There aren’t many songs which make me swoon and it is one. There’s no accounting for taste and I’m not about to try to do so here.
- As the above suggests, these scores of 10 are based purely on my own tastes in the latter part of 2021. I may not necessarily have awarded the same score to each single when I wrote about them even if I’ve always rated them highly. The Human League’s “Love Action”, Fun Boy Three’s “Our Lips Are Sealed” and Propaganda’s “Duel” are among those that would’ve certainly received a score of 10 at the time. I will not be changing them in the future even if I change my mind.
- Any further Smash Hits Singles of the Fortnight that I deem 10 worthy will be added. We’re fast approaching the nineties, which isn’t a favourite decade of mine, so I suspect the totals will gradually begin to slow down. Still, ’89 and ’90 each have some solid candidates awaiting and there’s at least one more sure-fire 10 coming up when I finish off the ’81 batch next year. Keep following for more!
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